I write all my music stream-of-consciously, so it was already completed when I came upon the title. Were those themes that you wanted to explore on this album? Now, especially with the internet, the line between what’s real and what’s created in the virtual world is disappearing. Essentially, this French thinker’s whole career was a sociological analysis of how culture was disappearing. It’s a book that was published posthumously by one of my favorite writers, Jean Baudrillard. ![]() So, Why Hasn’t Everything Already Disappeared? Sounds pretty existential. “There’s something sad and infinitely melancholy about that.” “I was attracted less to the content of the book and more to this idea of a philosopher who spends his entire career predicting the disappearance of, and then, on his deathbed, realizes it hasn’t completely happened on its own during his lifetime,” he says. Named after a posthumously-published book by Jean Baudrillard, lead singer Bradford Cox describes it as a “science fiction album about the present.” But the album’s title wasn’t particularly sentimental. On their seventh album, Why Hasn’t Everything Already Disappeared?, out today from 4AD records, that impulse reaches metaphorical and literal heights. ![]() ![]() But no matter how their work has shifted from release to release, they have always been interested in asking big questions, even if they rarely provide concrete answers. Deerhunter’s music has always defied easy categorization, and on each of their albums - from the psychedelic pop of Cryptograms to the stark acoustics of Halcyon Digest - the band has reinvented their sound in some way.
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